“Where?” is an album by Ron Carter, recorded on June 20, 1961, at Van Gelder Studio, Englewood Cliffs, New Jersey, and originally released on New Jazz Records (NJLP 8265). The Jazz Workshop Vinyl reissue as a 180-gram audiophile LP (JW-116) revives this record with remastering that highlights the bass’s depth, courtesy of Rudy Van Gelder. The lineup features Ron Carter (bass, cello), Eric Dolphy (alto saxophone, bass clarinet, flute), Mal Waldron (piano), Charlie Persip (drums), and George Duvivier (bass). The album includes Carter’s originals like Rally and standards such as Softly, As in a Morning Sunrise. The music is hard bop with avant-garde elements, with Carter’s bass setting a powerful foundation, and Dolphy adding expressive solos. The Jazz Workshop reissue, limited to 500 copies, is prized for its crystalline sound, capturing the session’s energy. “Where?” is a landmark record, underscoring Carter’s leadership talent.
Ron Carter (born May 4, 1937) is an American bassist, one of the most influential jazz musicians of his era. Born in Ferndale, Michigan, he began on cello before switching to bass, inspired by Paul Chambers and Ray Brown. In the 1960s, Carter became a star, collaborating with Miles Davis in his iconic quintet, as well as Herbie Hancock and Eric Dolphy. His style featured a deep, resonant tone and impeccable rhythm, making him a sought-after ensemble player. Carter recorded several albums as a leader, including Where?, showcasing his talent as a soloist and composer. Later, he taught, sharing his mastery and leaving a legacy as a jazz legend.
TRACKLIST
Side One:
1. Rally (Carter) 5:39
2. Bass Duet (Carter) 5:41
3. Softly, As In A Morning Sunrise (Romberg-Hammerstein II) 7:34
Side Two:
1. Where? (Weston) 5:56
2. Yes Indeed (Oliver) 5:48
3. Saucer Eyes (Nelson-Weston) 5:06
Personnel:
Eric Dolphy (bass clarinet, alto saxophone, flute), Mal Waldron (piano), Ron Carter (bass, cello), George Duvivier (bass), Charles Persip (drums).
Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey, on June 20, 1961
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